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Writing Across the Curriculum: Our Going Deep with Compare & Contrast Thinking Guide and In-service Class
using comparative thinking as a writing strategy and thinking tool in all content areas

Hello, my name is Carol Gebhardt, and I was the coordinator of a collaborative project between the Northern Nevada Writing Project and Nevada's Northwest Professional Development Program in 2007. Working as a team of fourteen K-12 Nevada educators, we examined Robert Marzano's research on effectively using comparison and contrast thinking to increase student learning, and we ended up creating a new print guide for teachers and administrators: The Going Deep with Compare and Contrast Thinking Guide, which is now featured and used at all of the NNWP's Writing Across the Curriculum in-service classes.

Below is the introduction I wrote for the guide that introduces my personal philosophy on why comparing and contrasting is a tool we should all further explore as educators:

"I sat in my small reading group listening to my students share their Venn Diagrams about two characters in the story. 'One is a boy and the other is a girl?' one student answered with a pensive look on his face. I wanted to be sarcastic and say, 'No kidding!, but I didn’t. I did feel frustrated that the child was in 6th grade and could not see past gender when finding similarities and differences in character traits. That same afternoon I came to the conclusion my students just did not know how to think deeper when making comparisons, and I knew it was my job to guide their learning. I started looking for inspiration and found it in several different places.

"W.B. Yeats once wrote, 'Education is not the filling of the pail, but the lighting of the fire.' In 1923, Yeats won the Nobel Prize in Literature for writing inspirational poetry in such an artistic form that it was said to inspire the spirit of the whole nation. I guess you could say his poetry set people on fire. I decided that’s what I wanted to do, light the fire for my students. I wanted them to be able to compare and contrast ideas across the curriculum and then write about those comparisons in a thoughtful manner. The Yeats quote inspired me to ask the question, 'How do we light the fire in our students’ thinking? What can we use for matches to ignite this fire?'

"So, I set off to find a few matches to get us started. I became deliberate in my approach to teaching writing. I was no longer just teaching a strategy here and there; I picked strategies based on how well the strategy could make my students think and write.

"A 'match book' used for this guide is Robert Marzano’s book titled Classroom Instruction That Works: Research-Based Strategies for Increasing Student Achievement Marzano and his team gathered studies by other researchers and discovered there were common strategies being used by educators to increase the achievement of students. In his book he shares the research numbers and explains how these strategies can be used correctly to enhance the performance of students. While I consider each one of Marzano’s effective strategies a 'match,' for this guide I will focus on the strategy found in chapter 2, 'Identifying Similarities and Differences.' It exemplifies how an effective strategy can spread across grade levels, and I think that is precisely what makes a strategy effective; it works at any grade level. Working with teachers in the Northern Nevada Writing Project, it has become clear to me that writing is definitely a place where we need effective strategies that work at any grade level because writing is a developmental process.

"Marzano discusses the importance of how the teacher structures identifying similarities and differences. It is not enough to throw a Venn Diagram chart out and say, “Okay, how are these topics the same and different?” Marzano’s four generalizations from the research and theory in 'Identifying Similarities and Differences' include: a) present students with explicit guidance in the identification of similarities and differences, b) ask students to independently identify similarities and differences, c) use graphic forms to enhance understanding, and d) identifying similarities and differences can occur by asking students to compare, classify, and to use the forms of metaphors and analogies.

"The writing process is another set of 'matches' for our students. I have found comparing and contrasting to be highly effective in increasing students’ ability to formulate ideas during the pre-writing stage. Shirley Dickson’s article, 'Integrating Reading and Writing to Teach Compare-Contrast Text Structure: A Research Based Methodology,' reminded me how students need to be presented with text structures to fully understand how to write in the genre form we are asking of them. Having students compare one text structure with another and allowing them to use this as a launching pad for writing is a way to support all of our students in becoming better writers.

"Let’s try to think about lighting the flame, instead of filling the pail."

On this page at WritingFix, we provide lessons, tools, prompts, and resources that were inspired by the Going Deep with Compare and Contrast Thinking Guide.

Complimentary Tools and Resources from the Going Deep with Compare and Contrast Thinking Guide

Original Lessons that were Inspired by our Compare & Contrast Print Guide

In January of 2008, the NNWP published a new print resource: The Going Deep with Compare and Contrast Thinking Guide. Fifteen K-12 Nevada educators had spent the spring of 2007 polishing their assigning of comparative thinking to their students, and the tools, lessons, and resources they created were assembled into this 144-page resource.

The purpose of this print guide: to inspire other teachers to strengthen their directing of students to think about similarities and differences before, during, or after a writing assignment.

On this page at WritingFix, we have made available about 20% of the print guide's materials for any teacher to use. They can be found just below. If you like the free materials below, consider purchasing a complete copy of the guide from the NNWP. All proceeds from these sales go to build additional resources here at WritingFix. Click here for information on ordering your own copy of the Going Deep with Compare and Contrast Thinking Guide.


Tools for Deeper Comparison & Contrast Thinking

Unique Ways to Write about Comparative Thinking

In 2008, we began offering a new lesson-building workshop and in-service class in Northern Nevada. As part of this class, where participants receive a complimentary copy of our Going Deep with Compare and Contrast Thinking Guide, each teacher propose a new lesson, and the best of those lessons are posted here at WritingFix.

Below, you will find the compare and contrast lessons that were proposed by teachers. The teachers use our proposal form when writing up a lesson. We invite teachers from all over to not only use the lessons below, but also to consider proposing their own lesson that we might feature here. Teachers whose lessons are accepted and posted will receive a complimentary resource for their classrooms.


Lesson title: Opposing Points of View in History

Lesson's Mentor Text: I Am the Dog I Am the Cat by Donald Hall

Lesson Overview: Students will create a comic strip that shows knowledge of two historical characters' perspectives.

Lesson Author: Kim Bronk, Northern Nevada


Lesson title: The Most Memorable Teacher Award

Lesson's Mentor Text: Thank You, Mr. Falker by Patricia Polacco

Lesson Objective: Students will compare a favorite teacher to Mr. Falker, then write a nomination for their teacher for an imaginary "Most Memorable Teacher Award."

Lesson Author: Carol Gebhardt, Northern Nevada


Lesson title: I Used to Be...But Now I Poetry

Lesson's Mentor Text: When I Was Five by Arthur Howard

Lesson Objective: Students will write a poem that focuses on personal and interesting details from their own lives.

Lesson Author: Denise Boswell, Northern Nevada

 

8 Great "Mentor Text" Lessons at WritingFix that Require Compare& Contrast Thinking:


Lesson title: Start with What Isn't There

Lesson's Mentor Text: Caves by Stephen Kramer

Notes on this lesson's comparison and contrast features: Two uses of comparison and contrast here: 1) students compose two paragraphs about a setting description, each paragraph exploring a different aspect of the place; 2) students compare and contrast the voice used in the student samples that are provided.


Lesson title: Arguing Voices inside One Character's Head

Lesson's Mentor Text: The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson (excerpts from chapters 1-7)

Notes on this lesson's comparison and contrast features: Students create two arguing voices that might be heard inside one character's head, then create a descriptive scene that shows that character in action.


Lesson title: Pros, Cons, and Hooks

Lesson's Mentor Text: How I Became a Pirate by Melinda Long

Notes on this lesson's comparison and contrast features: Students brainstorm the pros and cons of different topics, then plan a short essay that explores these opposites in an organized and well-paced draft.


Lesson title: Four Metaphor Poetry

Lesson's Mentor Text: Wilfrid Gordon McDonald Partridge by Mem Fox

Notes on this lesson's comparison and contrast features: Students explore similarities between abstract ideas and concrete nouns, ultimately creating a four-part poem that builds a metaphor.


Lesson title: Antonyms & Comma Splices

Lesson's Mentor Text: A Tale of Two Cities by Charles Dickens (excerpt from chapter 1)

Notes on this lesson's comparison and contrast features: Students imitate Dickens' famous opposite-filled opening (...best of times, it was the worst of times...") with creative topics or with topics they're studying in school.


Lesson title: Same Setting, Different Moods

Lesson's Mentor Text: Lord of the Flies by William Golding (excerpt from chapter 3)

Notes on this lesson's comparison and contrast features: Two characters in Golding's classic story explore and experience the jungle setting with different eyes, showing the reader two distinctly opposite moods. Students imitate what Golding has done with a different setting.

4 Writing Prompts from WritingFix that Require Comparison & Contrast Thinking:
Prompt title: Serendipitous Simile Builder

Notes on this lesson's comparison and contrast features: The on-line, interactive word game helps students create a comparative simile about a real or imaginary person, then use the simile to inspire a descriptive paragraph.
Prompt title: Serendipitous Personification

Notes on this lesson's comparison and contrast features: The on-line, interactive word game helps students create an interesting sentence that compares something non-human to something human. Students then use their personification to inspire a descriptive paragraph.


Prompt title: Dueling Haikus

Notes on this lesson's comparison and contrast features: Once your students have learned the basics of the haiku format, require them to write dueling haikus--two haikus on topics that can be compared or contrasted.
Prompt title: Dueling Acrostics

Notes on this lesson's comparison and contrast features: Once your students have learned the basics of the acrostic poem format, require them to write dueling acrostics--two acrostic poems on topics that can be compared or contrasted.

Proposing a Comparison/Contrast Lesson for WritingFix

Proposal Form for a WritingFix Comparison/Contrast Lesson

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